By Robert J. Crane
Sienna Nealon is a damaged man or woman. Her lover is useless, her closest acquaintances have abandoned her, and her employers have betrayed her. From the ashes of her desperation, she needs to grasp the metahuman powers at her command and eventually tame the souls that proportion her physique for one final objective - revenge opposed to those who destroyed her existence.
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Extra info for Broken (The Girl in the Box, Book 6)
Carl Pancrit sighed as he watched Bartholomew Wax twitch in his death throes. "Don't think you can get away from me that easily," he muttered. 2 A Slave to the Masters NATALIE LINDSTROM COULD NOT HELP FEELING A STAB OF ENVY WHEN she arrived at Hector Espinoza's house in Laguna Beach. Working in the Corps's Art Division had made Hector rich enough to buy this white Art Deco palace by the sea, while she and her daughter and father al had to squeeze into a two-bedroom condo in Ful erton. Just be glad he's willing to see you, she reminded herself as she saw the sign beside the front door's buzzer.
Behind it crouched Sanjay Prashad's black Mitsubishi Eclipse. Of the three Corps Security agents assigned to intimidate Natalie with round-the-clock surveil ance, Prashad was the only one whose name she knew and the one who worried her the most. The others were paycheck drones who put in their eight hours and went home, but Prashad exhibited the enthusiasm of naked ambition, sitting behind the wheel of his car with the erect posture of a corporateladder climber toiling in his office. When he made eye contact with Amis, however, the agent waved and gave an ingratiating grin--a peon currying favor with the boss.
Several members of that family now hung before him in this vault. Munching a cracker spread with brie, Wax basked in the delicate glow of The Concert--one of only thirty-five Vermeers in existence. The artist's muted use of light gave a preternatural tranquil ity to the scene of a seventeenth-century Dutch family playing musical instruments; Wax could actual y hear the quiet harmony of the clavichord and guitar calming the frenzy of thoughts in his mind. Next to the Vermeer, Storm on the Sea of Galilee churned in an endless, frozen tempest.